"... eyes as cold as steppes, as tender as blankets..."
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Elliza recommends
these on line literary sites.
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Contact
Ms. McGrand
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Elliza McGrand
Sing Blue
Blue begins in tenderness: I'm a chalice,
milk and warmed honey, water on dust,
my kindness held up against her malice --
her, the Ex. I believe because I must
but I wonder. Then his tenderness shifts.
He doesn't call. Then cold, brutal words.
By now I'm empty-armed from giving gifts.
By now he's rarely there. Giving blurs
to "ask and you shall receive." Then "ask and maybe,"
then "why keep asking?" There's always someone
to say it's the old story: If you'd read the book
you'd have passed the test. There's always someone
who wants to help him get off the hook,
to say it's a hook and I'm the spear.
Didn't I sing that song? The next one
holds her notes like me; she won't last long.
He goes through more of us each year.
Iceberg
His sandwiches are always sloppy --
losing mayonnaise at the crust,
dropping crumbs inside his shirt.
His mouths clicks and catches,
sound smeared with quiet
in thick layers around him
Edges of his hair return to Morris-patterns,
black lace balconies enclosing
a marble, planed face whose angles
can form shapes as old as tribes,
eyes as cold as steppes, as tender
as blankets. His hands retread
their tired peripheries, and each
word I drop in, like feeding sluggish fish
sinks; his slow, angry blinks
the posture tilapia take when unsure
of their territory, right before
they rip out and eat chunks of fin.
ii.
The leaves, green, enclose a crisp
tight center, tender as anything
he ever said into the cobalt air
just after, when sweat dries into whorls
more intricate than obsidian hair;
when the tidal steam holds salt, breath,
sandalwood, awe; when break becomes join,
soft becomes pliant, touch predicts words.
Then leaves start relentlessly folding
and no future plans, foreknowledge, secret
palms along a curved thigh, arms entangled
makes the soul's return, the rewinding string
the packing up of the morning to come
any less intrusive, any less frightening.
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